8.30 am. The morning light arises noticeably later as each week passes. Having organised my tutorials for the week and rewrote module material, I finalised the sound files for Matt. 20.25 and publicized the track. Then, I amalgamated all the tracks from Matt. 19.29b to Matt 20.25 into the full recto version. All that remains is for the recto and verso tracks to be combined, and the composition — which began in April — will be complete. This work has had the slowest gestation of any I’ve embarked upon. It consists of 57 tracks made up of 1,289 spoken words, each stretched (by ‘hand’) to 7 minutes and 22 seconds in length.
10.30 am. I drew up the post-publicity for Saturday’s modest excursion into circuit bending. Self-promotion (which one must necessarily engage if there is no one else to do it for you) is an integral part of the creative process: ‘No man, when he hath lighted a candle, putteth it in a secret place, neither under a bushel, but on a candlestick’ (Lk. 11.33). One must ‘get it out there’ by some means or other. I updated my website with an more expansive account of the exercise, and began three sound pieces based upon material recorded on Saturday.
2.00 pm. I continued with the development of the sound pieces while fielding emails.
5.00 pm. The compositions were mixed down and made ready for publication to my Studium site:
- Exposed to the air or to view; not covered
- She was put in a cubicle with the curtains left open
- His eyes were open but he could see nothing
6.00 pm. Practice session 1. 7.15 pm. The ritual mark-up of the Art/Sound lecture — an activity that extended into ‘the night watch’. 9.40 pm. Practice session 2. A productive day — albeit majoring in minors, perhaps. I ended it by consolidating a blog on my circuit-bending spree.