‘Stephen Chilton: Thinking, Feeling, Trusting, Making’, Aberystwyth: School of Art, Aberystwyth University (June 2022), https://www.aberunidegreeshow.com/stephenchilton

‘Pit Sounds: Rehearing and Reimagining the History of Penallta Colliery’, The Ego (June 2022), 72-3.

‘Things That Go Bump: Sounds of the Dead, Damned, and Demonic in Eighteenth-century Welsh Landscape’, The Ego (June 2021) 42–43.

Sheona Beaumont, [John Harvey] in Hope of the World in the Old Testament, Visual Theology and The Tyndale Fellowship, Zine Issue 3 (June 2021) 24.

Ann Bridge Davies, The Art of Spirit: The Most Enigmatic Paintings and Drawings Ever Made [Forward] (London: Local Legend, 2020) xv.

‘Hearing Dementia’, The Ego (July 2018), 32–33.

‘The Talking Bible: A Sound Art Intervention’, The Ego (July 2017), 56.

John Barber, The Road From Eden: Studies in Christianity and Culture  [Forward] (Bethesda, Dublin, Palo Alto: Academica Press, 2008), xvii–xviii.

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‘Preaching What We Practise,’ Printmaking Today, 13/1 (Spring 2004), 27. ‘Art and Soul: Signposts for Christians in the Arts’ [review], Citizen Bulletin, 45 (July 2000), 22–23.

‘George Chapman (1908–1993),’ Llafur: Journal of Welsh Labour History, 6/4 (1995), 7-8.

‘Pitmen Painters’ [review], New Welsh Review, 6 (June 1989), 79.

‘Symphonies in Black’ [review], New Welsh Review, 4 (April 1989), 75.

‘A Means to an End? Welsh Nonconformist Art,’ Welsh Historian (Autumn 1985), 24.

‘Dark and Heavy,’ Link, 29 (July–August 1982), 13–14.

‘Why All That Space?,’ Link, 24 (July 1981), 4-7.